American Isis The Life and Art of Sylvia Plath On the fiftieth anniversary of her death a startling new vision of Plath the first to draw from the recently opened Ted Hughes archiveThe life and work of Sylvia Plath has taken on the proportions of

  • Title: American Isis: The Life and Art of Sylvia Plath
  • Author: Carl Rollyson
  • ISBN: 9780312640248
  • Page: 174
  • Format: Hardcover
  • On the fiftieth anniversary of her death, a startling new vision of Plath the first to draw from the recently opened Ted Hughes archiveThe life and work of Sylvia Plath has taken on the proportions of myth Educated at Smith, she had an epically conflict filled relationship with her mother, Aurelia She then married the poet Ted Hughes and plunged into the sturm and drangOn the fiftieth anniversary of her death, a startling new vision of Plath the first to draw from the recently opened Ted Hughes archiveThe life and work of Sylvia Plath has taken on the proportions of myth Educated at Smith, she had an epically conflict filled relationship with her mother, Aurelia She then married the poet Ted Hughes and plunged into the sturm and drang of married life in the full glare of the world of English and American letters Her poems were fought over, rejected, accepted and, ultimately, embraced by readers everywhere Dead at thirty, she committed suicide by putting her head in an oven while her children slept.Her poetry collection titled Ariel became a modern classic Her novel The Bell Jar has a fixed place on student reading lists American Isis will be the first Plath bio benefitting from the new Ted Hughes archive at the British Library which includes forty one letters between Plath and Hughes as well as a host of unpublished papers The Sylvia Plath Carl Rollyson brings to us in American Isis is no shrinking Violet overshadowed by Ted Hughes, she is a modern day Isis, a powerful force that embraced high and low culture to establish herself in the literary firmament.

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    One thought on “American Isis: The Life and Art of Sylvia Plath”

    1. Just a short review because I wasn't planning on reviewing the book and secondly it was a "for fun" read.I didn't know much about Plath except from reading The Bell Jar and knowing she took her own life. I didn't even know she was a poet; I have since bought a collection of her poetry. I was after some basic background on the author that everyone seems to know. I got much more than that from American Isis. My initial thoughts were this woman is brilliant and crazy. Why doesn't anyone see the las [...]

    2. ChoicesI found “American Isis” interesting though I became fed up with his multiple comparisons between Sylvia Plath and Marilyn Monroe. He did make a good point that they both loved fame and sought it yet it damaged them. The 1950’s were a time of stereotypes and both of them tried to conform and still express their unique vision. Both committed suicide. Enough said, but Rollyson draws far too many parallels. Their artistic fields were very different. By definition writers need solitude a [...]

    3. Well, having studied Plath for the last 15 years, I came at this book figuring that there wasn't anything new that would be said, and indeed there wasn't. Like the other reviewers, I found the constant comparisons with Marilyn Monroe to be rather offensive as attempting to paint two vastly different women with the same brush--academically, it's a poor argument to get seriously sucked into no matter how interesting the comparison might be, and I thought it a bit of a cheap plug for his books abou [...]

    4. A New Look at the Plath LegendAs the first biography since the Ted Hughes files were made available, this is an important book for those interested in Plath, the person or the poetess. The book presents a new version of some of the perplexing incidents in the Plath legend. I've read several biographies and the diaries, but this is the first book that made me understand how driven she was. The world of the 1950s is brought to life giving a good backdrop for Plath's struggle for acclaim. The autho [...]

    5. I can't figure out why author Carl Rollyson felt the need to write this book. There's nothing new here about Sylvia Plath, the writing is stilted, and the editing is awful, with mistakes everywhere (example on page 47 where Mrs. Cantor is spelled Cantor and Canter within two lines). I don't think Rollyson was able to empathize with his subject, though there's a familiar tone that I found creepy. She seems somewhat interchangeable with Marilyn Monroe, to whom he compares Plath numerous times thro [...]

    6. I can only imagine why a book with this title was remaindered. That aside, the tedious comparisons between Sylvia Plath and Marilyn Monroe really just helped pull this biography in a million directions, in addition to a half hearted analysis of all the biographies of Plath after her death. Either make the book about suicide, Plath's struggle to reconcile her poetic talents with the expectation/demands of motherhood, or admit that The Silent Woman: Sylvia Plath and Ted Hughes already covered the [...]

    7. The book had a lot of promise. 1) It is one of the first (the first?) to benefit from the files of Ted Hughes. 2) The author had an intriguing thesis. He proposed to show Sylvia Plath's suicide as a premeditated step to establish her place in literature. 3) The title implies that Plath is the ideal wife and mother receiver of the hope and prayers of all. Unfortunately none of this is realized. The benefit of the Hughes papers does not show. The material on Plath is so gossipy and disjointed that [...]

    8. Let me get my quibbles out of the way first, because I want to focus on the strengths of this biography. I disagree strongly with Rollyson's decision to refer to Plath by what were apparently childhood nicknames early on in this biography. Throughout the book, he quietly switches between "Sylvia," "Sylvia Plath," and "Plath," which is fine. And in the first paragraph of the first chapter, there's nothing wrong with his saying that "Sylvia Plath liked to tell the story of her mother setting her i [...]

    9. I have to preface this review by stating that I am a huge fan of Plath's work and am utterly fascinated by her life. I've read several other biographies, though this is the newest.For those who aren't fans of Plath or familiar with her work, this could be a difficult read. The tone veers towards being dry at times, and the text features many references to poems. Those unfamiliar with said poems would potentially lose some of the impact of where Rollyson quotes them.For fans who have read other b [...]

    10. A fine biography for a superficial view of S.P.--worth the read if you've already read one or two Plath biographies, but definitely not for the first-time reader who's looking for a thorough account of Plath's life. The book did contribute some new details. Chapter 8 is particularly interesting, as are a couple of the short appendices.I'm a big fan of both Plath and Marilyn Monroe, but I thought the repeated parallels drawn between the two was distracting. Also, having read a few Plath biographi [...]

    11. This review refers to the NetGalley edition.I'm giving this book 3.5 stars, but I am rounding down to 3 on GoodReads because it seemed to drag on forever. See, I adore Sylvia Plath and I was immediately intrigued at the idea of a new biography written after the opening of the Hughes archives, so I jumped at the chance to read and review it. I found it interesting, if slow, and seemingly thorough. The downside is that while the author writes well, it reads like a college essay for a literature cl [...]

    12. I have read almost everything ever written on Plath. I find the usual biographical imposition on her poetry distressful. I do not like it when critics read her death into everything that proceeded it. With these statements made, I enjoyed most of this book. It is very difficult to write about Plath (serious estate complications) and I think Rollyson does a nice job with the mythology that both Plath and Hughes created. I find his Marilyn Monroe connections/metaphor a bit strained at times. I als [...]

    13. Some interesting new primary sources. A fast read, if you're familiar with the backstory and the Plathdustry, I guess. But an editor should really, really have caught the egregious du Maurier misquote toward the end: it seems a silly thing to focus on, but it made me wonder what else might have been missed.

    14. I don't read a lot of biographies. The reason is because of books like this. It's everything I'd feared biographies would be (even though I've read and loved a number of good ones.)The author starts out by telling us that he's going to dispense with the formalities. He's not going to do the Sylvia (or Syl or Siv or Sivvy as he likes to call her. I just call her "SP" one syllable - sounds like "psst", but backwards) we know and love. He says "I have dispensed with a good deal of the boilerplate m [...]

    15. When I was in school around 1970, we were told that Sylvia Plath committed suicide because her husband, poet Ted Hughes, was an arrogant egotist who used her as a typist and suppressed her creativity and that it was his infidelity that finally drove her to suicide; it was the feminist stand at the time. This new biography, which draws on sources that were unavailable until after Ted Hughes death, shows a very different and far more complex story. Plath was not a woman forced into the shadows; if [...]

    16. I have read some of Plath's work (poetry, Bell Jar, but not a lot and none of it recently. This book came my way and I thought I'd educate myself on this legendary New England writer.I was a little taken aback in Rollyson's Author's Note, in which he disparages all Plath biographers that have come before. He also writes that this book is not for the Plath novice - He assumes a familiarity with her works and quotes from them very little. I almost stopped reading right there, thinking I might not [...]

    17. This book is boring and doesn't offer any new insights into SP's life. The author has a nasty habit of comparing Plath to other women (Marilyn Monroe, Susan Sontag) in ways that seem random until you realize he wrote biographies on them, too. Knowing that SP shared superficial similarities to two women I'm not interested in reading about really does nothing to broaden my understanding of her. Things finally pick up in the last chapter, which covers the Hughes family's (mis)handling of Plath's es [...]

    18. The absolute best part of this biography is its last chapter, "In the Temple of Isis." This chapter is an excellent and illuminating overview of the evolution of Plath studies since Sylvia Plath's death in 1963, which is possibly just as, if not more dramatic than the poet's life and could fill a book in itself.Personally, I think Sylvia Plath's poetry is infinitesimally more interesting and inspiring than her life and suicide, but I quite liked this biography. The Marilyn Monroe references both [...]

    19. I was hoping I'd find some new information on Sylvia Plath or, at least, a new perspective on what is already known. However, all the author does here is to rewrite Plath's letters in his own words. So, basically, if you have read Letters Home, you don't need to read this. I also don't get why Rollyson keeps writing about Marilyn Monroe - I've read some Monroe's biographies and she and Plath have nothing in common. So, why insisting on comparing the two of them? I don't see the point of it here. [...]

    20. Meh. It's not like I was waiting for any new revelations, pretty sure that for a Plath biography to break any new ground you would have to orchestrate some kind of unique conclusion, some metaphoric insight or something. Instead, it felt like Rollyson tacked anything interesting that he "uncovered" into the Appendices. I am also not buying the Plath/Marilyn Monroe correlations.

    21. Nothing vey new, really. Like other reviewers, I found the comparisons with Marilyn annoying, and also like others, the last chapter that deals with the battles over her image was the best. He should have written a book about that instead.

    22. I stopped before the end. I am not a great fan of psychoanalytical biographies; I spend too much time disagreeing with the author's point of view. It's too bad because I was really looking forward to this book.

    23. This was a free read thanks to the Giveaways program.*Full disclosure* I have only heard of Plath through random occurrences, conversations, game shows, trivia games, etc. I knew she was a poet/writer and is often championed by women, feminists, fans etc.Ok so with the fluf out of the way, I went into reading this as I did have a general interest in learning about Ms Plath as it perhaps would encourage me to read some of her work, the sad thing is, this book failed in that attempt. Much of the [...]

    24. I’ve heard a lot about SP but this is my first time to read something on the legendary poet. Carl Rollyson has done a large amount of research and his writing style makes the reading experience a pleasant one. I find the comparison to Marilyn Monroe interesting at first but soon find the frequency a bit disturbing. He appears objective on whether Hughes should be to blame for SP’s death until the very end. His thorough analysis of the complicated feelings between Aurelia and Sylvia is inspir [...]

    25. An interesting read, but the comparisons to Marilyn Monroe were obnoxious and added nothing to the biography.

    26. I hadn’t read the reviews on this before I ordered it. I found it at a bargain (sorry, but that is the only way I buy biographies. I don’t really like them but feel, like so many readers, that one must read them. I tend to get them from the library or not at all. The exception to that rule must be Sylvia Plath because I own two of hers.) Then I saw the derision in the reviews about comparing Plath to Marilyn Monroe and groaned internally. I was not up for 300+ pages of that crap. However, th [...]

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